having spent a day documenting our work, i can say this steadycam rig may look the part but is the most awful thing to actually try and use. makes you realise why the film-grade ones are basically terminator suits.
having spent a day documenting our work, i can say this steadycam rig may look the part but is the most awful thing to actually try and use. makes you realise why the film-grade ones are basically terminator suits.
and to answer the title of the first post, here is the best i can do, courtesy of the freestate photographer.
of course, you’re missing six of the satellite screens, two facing in just out of sight offset at the far end, and the four to mirror that end behind the camera’s position. buts the nature of the beast: you can’t watch a 11,000px quicktime, you can’t watch a 3200x1080 crop alongside four 768x768 crops, you can’t get everything in with the viewing angle of the unaided eye even in the stand. thats what immersive, or certainly surround, means.
i hope we can pitch again next year, impressive as it all was i really want to break away from these big white walls…
up to newcastle with d-fuse for a performance of particle as part of reinventing the city. we collaborated with locals novak for a day of filming and a day of performance/prep. nice to be out with them with a camera on a glorious day rather than worrying about wiimotes and audience interaction.
geordie hospitality really can be great. me and andrew were just scoping out an alleyway in byker that got the sunset over the city centre, and literally at the moment we turned around and saw a balcony above a house’s garage perfectly positioned for the shot, when the owner rocked up and offered to take us up there. cups of tea and all.
(and excuse the contrast pump on the shot, couldn’t help myself)
diary | 01 oct 2009 | tagged: vj · dfuse · reinventing the city
the performance was to be the newly transformed great north museum’s event space, a big, white, and empty room. standard two layer ‘proscenium arch’ presentation not so suitable, mike came up with a triangular staging.
the title should really be ‘live at sea’ by the looks of this clip. not to mention the setup looked a bit like the bow of a ship.
the performance had some really beautiful moments, and clips made to pan across the full triplehead work so well in that triangular setup, making lighthouse beams in the space. in my opinion we let ourselves down by not having time for a full run through beforehand, the to and fro between ‘particle-as-is plus a newcastle bit’, or ‘newcastle-in-the-style-of-particle’, resolving itself live and as a factor of SSD drive capacities.
diary | 02 oct 2009 | tagged: vj · dfuse · live cinema
two screengrabs of output featuring footage andrew shot at tynemouth. oil rigs, beaches and a bleaching sun.
diary | 02 oct 2009 | tagged: vj · dfuse
coming into newcastle, but can’t shake the oil rigs yet, just too good.
diary | 02 oct 2009 | tagged: vj · dfuse
and here we go, leading into the bridges
diary | 02 oct 2009 | tagged: vj · dfuse
a sunset to end, aaah. lucky with the weather for our filming day!
diary | 02 oct 2009 | tagged: vj · dfuse
this friday i will be doing my vj thing together with mike, matthias and sarah of d-fuse, paul of labmeta, and mo of electrovision. we have the run of the london transport museum, who are opening late with a bar. its the first time we’ll have done something there, so it will be baby steps but i think there’s real potential with the victoriana building with the spatial feel their scale of exhibits gives, the covent garden location, and the real gem of their proper screening theatre downstairs.
- Sounds of the Suburbs, Friday 6 November 2009
Tune in to a multi-sensory journey of light, image, colour and sound with D-Fuse, Labmeta, *spark and Electrovision and their collaborative set - Urban vs suburban with VJing, audio visual performance and screenings complete with silent disco. Check out Designated Area artist Andy Morgan’s live illustration of a classic cityscape with a suburban twist.
d-fuse were asked to do something with the musion screen at kinetica art fair. particle was designed for a transparent screen layered in front of the cinema screen behind, so mike got to work on a 15 minute redux. playback was just hitting play on two laptops simultaneously, and even for this oh how i was reminded that i should write that basic show playback app…
diary | 06 feb 2010 | tagged: vj · dfuse
there’s no denying its like a flight deck of buttons, but props to vdmx’s configurability and plug-in friendliness. full playback control of both single screens and the dualhead spanning as quicktime sources, and a hardcore quartz composer patch wrapping a lot of custom openGL code, fronted by an interface builder laid out UI panel.
diary | 18 feb 2010 | tagged: quartz composer · particle · dfuse · *spark · vj · vdmx
aaah, a proper theatre. well resourced, good tech crew, and a lovely auditorium for the audience.
diary | 30 apr 2010 | tagged: particle · dfuse · vj · lev · video-out · live cinema
may wouldn’t be the same without the annual pilgrimage to the excellent mapping festival. fourth time running now, having played as part of narrative lab performances and workshops, then journalism, and last year doing a workshopped kinetxt performance. this time, its as part of d-fuse, performing particle.
as i write this, i still haven’t got the shots of mapping from d-fuse hq, but just found this one on the internet. its by mapping’s genius photographer ork, check out his portfolio of mappings past and present.
diary | 06 may 2010 | tagged: dfuse · vj · mapping · particle · live cinema
with the musion to play with once more, to the shunt vaults with for an experimental performance of particle.
particle’s air conditioning units finally get an airing, midi sync or no. it turned out a really good gig to try new things, i was really happy with the ‘noodle’ i got going.
there is a big d-fuse production in the works, where the brief rather wonderfully was emphasising interaction with and within the audience. as briefs often do, things have changed a lot since the heady time of working on and winning the pitch, but the core of it is still generative graphics and punter control from the club floor. and so here, courtesy of dr.mo’s crack team of coders is an in-development iPad app talking over WiFi to a QC plugin, where my two fingers-as-proxies-for-collaborating-audience-members are sketching locally and that is being incorporated on the club’s screens.
diary | 06 oct 2010 | tagged: quartz composer · liveness · dfuse · vj · code · ios · mac os · engaging audiences
the iPad-screens interaction isn’t even half of it, though. the project is to be a roadshow travelling through china, a modular setup of stage and staging reaching out into the club. two ‘hero’ videos with dance choreography and interactive props (hello LED balls/), a video feedback piece, a live drawing piece, the backbone of the evening as the iPad interaction and audio-reactive graphics, all feeding out onto the mains screen, duplicated onto any in-house video system each venue might have, with LED sticks extending the video canvas out from the stage and video controlled stage lighting effects.
…it makes for a nice diagram.
- What is AV:in — Introduction To Audiovisual Arts
Audiovisual Culture is rapidly gaining momentum with new technology and information resources quickly aiding the drive. In 2010 more and more people are seeking and acquiring the skills required for audiovisual production and interactive creation. This global movement is spreading into screens, phones and other commercial applications as well as providing a rich source of culture for digital communities inspiring new trends in design and art.
AV:in is a new media course for this market. We have designed AV:in as a comprehensive online educational program for audiovisual studies. It follows a trend of regular workshops and lectures and professional training, which have continued to grow in popularity all around the world on the subject of audiovisual production and performance.
…and it has me in it, as d-fuse we filmed a pro-tip section and my live cinema documentary is part of the curriculum.
diary | 15 oct 2010 | tagged: *spark · vj · dfuse · live cinema documentary
happiness is twelve hex bytes, generated by a pocketable custom LED fixture on detecting a bounce, transmitting that via xBee, receiving into the computer via RS232, being parsed correctly, outputting into a QC comp, doing a dance, and commanding back to the fixtures via Artnet via DMX via xBee.
diary | 16 oct 2010 | tagged: quartz composer · vj · code · mac os · i/o · dfuse · embedded