hot off the digital anvil: the programme for ends of audience.
Pat Healey, Martin Welton, Michael Schober and Lois Weaver – Introduction
Laurence Payot – Performing Audiences: Experiments in Real Time
Paul Tennent, Sarah Martindale, Stuart Reeves, Joe Marshall, Brendan Walker, Steve Benford – Exposing your still beating heart: introducing biodata to the audience experience
Colombine Gardair, Patrick G.T. Healey, Martin Welton – Teaching Audience Responses: an Ethnography of Street Performance.
Judy Batalion – The Live Comedy Audience
Christian Heath & Paul Luff Audience, Participation and the Legitimacy of Events: Auctions of Fine Art and Antiques
Keynote – Christoph Bregler – The Eye of the Crowd: Capturing, Sourcing, and Playing with Audiences.
Laurissa Tokarchuk, Matthew Purver, Stuart Battersby – Using social data to understand live festival audiences
Eirini Nedelkopoulou – The Phenomenology of Audience Interaction in Mixed-Media Performance
Mariza Dima – MOBILE Stories: Exploring audience engagement through interactive mobile storytelling
Aneta Mancewicz, Joshua Edelman – Watching the Watching of Shakespeare
Drink Reception & Dinner –
including Elbows on the Table by Valeria Graziano & Valentina Desideri and short talk by Barry Ife
Angela Fernandez Orviz – New Models for Audience Engagement
Jon Armstrong – Towards a Psychological Theatre – Magic, Suggestion and The Audience’s Experience of Performance
Rachel Gomme – Mouth to Mouth
Ria Hartley – Play/Pause/Reflect/Submit
Kavin Preethi Narasimhan and Arash Eshghi – Watch it, we’re around
Keynote – Louise Blackwell & Kate McGrath – Producing fresh work for adventurous people.
John Sloboda and Helena Gaunt – Understanding audiences: helping creative artists to obtain richer information from their audiences.
Joslin McKinney – Empathy and Exchange: Audience Experience of Scenography
Johanna Linsley and Jan Mertens – The Library of Expectations
Coffee Break and Q&A session
Kim Skjoldager-Nielsen – Risky Interaction – Staged identity in SIGNA’s Salò
Anna Wilson – Ontroerend Goed’s The Audience
Philip Watkinson – A Mirror Staging: A Lacanian performance analysis of Romeo Castellucci’s On the Concept of the Face, Regarding the Son of God and its impact on the audience.
David Wiles – Picturing the historical audience
Atau Tanaka – Music One Participates In
Isaac Schankler, Alexandre François and Elaine Chew – Mimi4x and Game Pieces: Creating an Audience of Performers
Terri Power – Shakespeare’s Audiences
Graham White – Philosophical Theatres: From Descartes to Phenomenology
Orion Maxted – BANANA
Keynote – Nic Ridout – The Ends of Ends of Audience
Closing and Goodbyes