its the day of the performance, and we set kinetxt up in one of the communal rooms of îlot 13 to rehearse.
we do a few ten minute tries, which really give some hope that this could go really well. my favourite memory is seeing one of these start with the outline of an island, and the performance takes the form of a kind of evolving map of utopia. that, and seeing the difference one of the innovations for this performance makes, the ‘cut-outs’ which allow the illustrators to draw characters and tweaked-through-photoshop-whatevers into kinetxt. having pen drawings cut-out and then soft-shadowed with vibrant colours, composited into the kinetxt canvas really opens things visually.
though, of course, it can’t always be rehearsal: kitchen coding called.